Mass Effect 3 Writer Allegedly Slams Controversial Ending

Update: We've received an anonymous tip with a screencap of Takyris' messages on the Penny Arcade forums requesting that those discussing the game's ending not attribute the pertinent facts to him. The posts are dated March 11. 

BioWare writer Patrick Weekes is well known on the Penny Arcade forums as user Takyris. Earlier, that account allegedly posted a fairly damning diatribe about Mass Effect 3's controversial ending. In it, the author claims that the game's finale was written by Casey Hudson and lead writer Mac Walters without any input from the rest of the team, and many protests from the other writers were ultimately ignored.

Now, the reason I've been throwing around the word allegedly like it's nothing is because the entire story has become very muddled by recent events. The original post has since been deleted, and several other posts on the Penny Arcade forums quoting the post have been edited to remove the text, ostensibly because the author asked that he not be quoted.

In addition, BioWare's community coordinator Chris Priestly has said that after contacting Weekes about the matter, he's decided it's nothing more than an imitation.

That being said, the text in question does seem to have some insider knowledge of Mass Effect 3's development process, and subsequent responses on the Penny Arcade forums, as well as one trusted firsthand source, have indicated to us that the text in question did, in fact, originate with the Takyris account. That's obviously not solid proof that Weekes penned the post himself, but it's quite clear that the situation isn't cut and dry either way. 

In the interest of not making the hearsay any worse than it already is, we've reproduced the full text of the message below. Verified or not, it provides an interesting perspective on Mass Effect 3's ending, and it's a worthy read regardless of the source. There are some major spoilers, though, so be warned.

I have nothing to do with the ending beyond a) having argued successfully a long time ago that we needed a chance to say goodbye to our squad, b) having argued successfully that Cortez shouldn't automatically die in that shuttle crash, and c) having written Tali's goodbye bit, as well as a couple of the holo-goodbyes for people I wrote (Mordin, Kasumi, Jack, etc). 

No other writer did, either, except for our lead. This was entirely the work of our lead and Casey himself, sitting in a room and going through draft after draft. 

And honestly, it kind of shows. 

Every other mission in the game had to be held up to the rest of the writing team, and the writing team then picked it apart and made suggestions and pointed out the parts that made no sense. This mission? Casey and our lead deciding that they didn't need to be peer-reviewe.d 

And again, it shows. 

If you'd asked me the themes of Mass Effect 3, I'd break them down as: 

Galactic Alliances 


Organics versus Synthetics 

In my personal opinion, the first two got a perfunctory nod. We did get a goodbye to our friends, but it was in a scene that was divorced from the gameplay — a deliberate "nothing happens here" area with one turret thrown in for no reason I really understand, except possibly to obfuscate the "nothing happens here"-ness. The best missions in our game are the ones in which the gameplay and the narrative reinforce each other. The end of the Genophage campaign exemplifies that for me — every line of dialog is showing you both sides of the krogan, be they horrible brutes or proud warriors; the art shows both their bombed-out wasteland and the beautiful world they once had and could have again; the combat shows the terror of the Reapers as well as a blatant reminder of the rachni, which threatened the galaxy and had to be stopped by the krogan last time. Every line of code in that mission is on target with the overall message. 

The endgame doesn't have that. I wanted to see banshees attacking you, and then have asari gunships zoom in and blow them away. I wanted to see a wave of rachni ravagers come around a corner only to be met by a wall of krogan roaring a battle cry. Here's the horror the Reapers inflicted upon each race, and here's the army that you, Commander Shepard, made out of every race in the galaxy to fight them. 

I personally thought that the Illusive Man conversation was about twice as long as it needed to be — something that I've been told in my peer reviews of my missions and made edits on, but again, this is a conversation no writer but the lead ever saw until it was already recorded. I did love Anderson's goodbye. 

For me, Anderson's goodbye is where it ended. The stuff with the Catalyst just… You have to understand. Casey is really smart and really analytical. And the problem is that when he's not checked, he will assume that other people are like him, and will really appreciate an almost completely unemotional intellectual ending. I didn't hate it, but I didn't love it. 

And then, just to be a dick… what was SUPPOSED to happen was that, say you picked "Destroy the Reapers". When you did that, the system was SUPPOSED to look at your score, and then you'd show a cutscene of Earth that was either: 

a) Very high score: Earth obviously damaged, but woo victory 

b) Medium score: Earth takes a bunch of damage from the Crucible activation. Like dropping a bomb on an already war-ravaged city. Uh, well, maybe not LIKE that as much as, uh, THAT. 

c) Low score: Earth is a cinderblock, all life on it completely wiped out 

I have NO IDEA why these different cutscenes aren't in there. As far as I know, they were never cut. Maybe they were cut for budget reasons at the last minute. I don't know. But holy crap, yeah, I can see how incredibly disappointing it'd be to hear of all the different ending possibilities and have it break down to "which color is stuff glowing?" Or maybe they ARE in, but they're too subtle to really see obvious differences, and again, that's… yeah. 

Okay, that's a lot to have written for something that's gonna go away in an hour. 

I still teared up at the ending myself, but really, I was tearing up for the quick flashbacks to old friends and the death of Anderson. I wasn't tearing up over making a choice that, as it turned out, didn't have enough cutscene differentiation on it. 

And to be clear, I don't even really wish Shepard had gotten a ride-off-into-sunset ending. I was honestly okay with Shepard sacrificing himself. I just expected it to be for something with more obvious differentiation, and a stronger tie to the core themes — all three of them.